Tag Archives: painting

Grief: Living. Wreaths. Painting with Mimi. Consequences.

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Amid the cacophony of my first-world suburban existence: prop planes buzzing above, sirens on their way, lawn mowers manicuring, birds singing sweetly and my hot tub shocking, I lit a couple sticks of incense and decided to do something I’ve been putting off for months: refreshing the springtime egg wreath on our front door.

I bought it about six years ago from Red Envelope. I don’t think they sell it anymore. It spoke to me because its muted springtime tones of subtle rosy pinks, soft powder greens, robin’s egg blue and dusty tans were more reminiscent of actual spring and actual eggs than the hot pink, electric blue and royal purples we see in easter baskets.

The wreath had been hanging every year: from the first day of spring to the first day of fall, for six years. In the fall it is replaced by an autumnal wreath, covered with (I hope artificially) speckled feathers in tones of rust, espresso and black. On Hallowe’en, for one day, the previous speckled wreath is replaced by a black feather wreath which is summarily re-replaced by the previous one. After Thanksgiving, I replace that wreath with a Christmas-time wreath until after the Epiphany wherein I replace that wreath with a faux cranberry on grapevine wreath: very wintry.

When I got married, I had grapevine and faux lily, rose, peony and hydrangea wreaths hang from every other pew at the church and window at the reception.

The hanging or display of wreaths is an apparently ancient custom. My wiki search included citations of wreaths from ancient Greece for seasonal or mythological celebrations such as the end of a harvest, or a birth of a god, death. To me, they mean “welcome” and “we know what time of year it is.”

I guess I have a wreath “thing.” We didn’t hang wreaths when I was a kid. I guess that’s why I want them in my adulthood. My wreath “thing” reminds me of my band-aid “thing”: I have band-aids in the kitchen, every bathroom of the house, some in my purse, cars and linen closet. We didn’t have band-aids when I was a kid; for some reason my parents never bought them. We needed them, but in my mind, I project that to my father and mother that they were frivolous. Band-aids and juices, things to drink. My aunts had band-aids and lemonade. I felt safe when I had a cut or scrape at their homes; I knew I would be attended to.

I digress. I write in the moment; I try to make it make sense at the end.

I have been avoiding the work on the wreath because I wanted to restore the “glaze” effect of the eggs, but without the glaze look. For some reason, I was stymied.  But today, I decided: it’s gorgeous outside, I have been yearning to do this and so screw it, let’s go.

The wreath looked like this when I first started:

this is really a picture of Thing 3's solicitors deterrent sign, which just happened to include a fair amount of the wreath.

this is really a picture of Thing 3’s solicitors deterrent sign, which just happened to include a fair amount of the wreath, which is quite faded. The sign has been very effective.

I decided to test my super-thin acrylic paint application on a test egg, one that had fallen off the wreath. The color was still too strong. I rubbed it off with my finger and thought, “better, but I’m not going to paint and rub-out each egg, plus, they’re only two eggs that have fallen off… so I’m definitely not going to either take them off and put them back on or … ” you don’t care what I was thinking. I don’t either.

Moving on…

So then I thinned the paint some more. Better, but still…

the first two pinked eggs. meh.

the first two pinked eggs. meh, directly above.

 

Then I took a broader brush, dipped it in the water and wet an egg that was still on the wreath…. “you’re taking a big chance here… if it drips, then that’ll affect the other egg…”

The fear in my head was really just … “STOP IT.” I said to myself. “Just do it. Screw it. It’s only paint and you can dilute it….”

I put my color brush in the thinned pink paint and dabbed it onto the wet / primed egg.

It washed. It was glorious.

I heard her, Mom…. from when I was wee and we were painting on watercolor paper, a huge treat for me:

“When you wet the paper first, like thiiiissss … ” she would take a broad brush and wet just the top of her sheet. I didn’t understand, there was no color… I was impatient, but I watched.

“And then you take a pinpoint of paint, juuuust like thiiiiissss… and you dab or stroke that colored brush tip onto the wet paper … it does …. THIS….” and the color bled onto the sheet of thick, dimpled parchment. I watched with wonder and squealed at her magic.

It was those unfiltered and infrequent moments with Mom, those now- deeply poignant moments, riddled with ephemera, when she showed me who she was: a magician, a painter and an artist, who cared deeply about her creations.

It was also in those moments, that I felt envious of her interest in that paper.

In that brush.

In that paint.

In that creation.

She was in her zone then.

There was no getting her back.

“My turn! My turn!” and I would try to do it the way she showed me. Soft and gentle strokes of just water onto my sheet.

I was a spectator. She let me in for a few moments, but they were fleeting.

“That’s too much!” she would blurt, unconscious of her tone, yet (to me) very concerned about wasting the paper, of making a mistake.

She wanted it to be really good as much as I wanted it to be really good. I wanted her to be pleased and proud of me. I chose red. She wanted me to choose burgundy, but I wanted the red. She wanted to show me how to paint a sunset. I just wanted red.

So we went on… I put my reddish pink tones on my paper and watched it bleed into the water.

The color stopped where the water did. I thought that was neato.

She showed me how to make a sun burn in all that red and periwinkle.

“Make a circle with your brush, big enough for a sun. Ok! Yeah, you can add some little streaks outward and then get another color, say orange or yellow… just a little… watch what it does…”

I did as she instructed. I dabbed into the burnt orange.

“Bittersweet. That’s my favorite color,” she would say.

I’m back.

So I heard her today, when I was washing each egg first and then gently dabbed my color onto its soft, slightly porous and smooth, mounded oval surface.

The color stopped where the wash stopped. Just like on the paper.

I just noticed that today is 9 months from when Mom died. “June the TWO!” she used to shout sometimes on June 2nd; I don’t know why. “October the ONE!” on … October 1st.

Eggs. Nine months. Pregnancy. Motherhood. Death. Wreaths.

more color, more life.

more color, more life.

So then I got confident and was off to the races. I painted about seven twelve a dozen eggs that pinkish “bright magenta” tone. I wasn’t in love with it, but it was getting better, my technique was improving and the eggs were being restored. Mom would’ve been pretty psyched.

Green. I did the same with the “lime tree” green. Dilute it to smithereens and then wash and dab. Those came out a butter yellow hue, which was ideal.

I decided to leave the blue eggs as they were. Their colors didn’t fade too much because they likely didn’t have any red tones in them.

The door faces north to the brutal Virginia sun, or else that wreath would be an omelet by now.

Then I took a step back.

The pinks were too pink. The green was OK, closer to what I wanted. I wanted to tone down the pinks.

So I mixed green with pink. A preppy fantasy. Green and pink make grink. When I put grink on all the pink eggs, it toned them down.

I was pleased.

“Wash the color… wash the color. You can always make it stronger, but making things softer… that’s a challenge,” Mom would say.

Oh how right she was, about all of that — it applied to so much more than paints and colors. It’s always easier to strong something up, to push through, to bully or force your way out, through, around or under something… but to yield…

To yield… that’s something else entirely. To step back and yield and let things roll out and just … become … without influence!

How difficult that is! We have to influence. Sometimes we have no choice. We have to step in. Change the direction of things; redirect. Can’t sit with the waiting. Can’t sit with our pain. Can’t sit with our consequences.

Consequences. Thing 2 didn’t turn in a field trip permission form nor the funds to cover the trip. It was all due last week. He was even given an extension by one day. Still didn’t do it; didn’t remind me, didn’t ask me for the funds, didn’t do any of it.

This morning he called me in a lather… “Mom. I need the funds. I need the permission form. I need it all today.” I heard noises in the background, lots of kids, adults talking over them. I thought the trip was today.

“I’ll send an email authorizing your attendance for the trip…. I don’t know about the funds… how much?” I said.

“Just send the email. We can talk about the check when I get home. Thanks… Bye, Mom.”

>click.<

I sent the email. An hour later, the teacher replies: “The trip is Thursday but the funds were due last week. I gave him an extension… finance office needed the funds by Friday. I’m sorry.

He can attend class with Mr. Gitchygoomie. He will be staying behind at school… he can attend his specials and PE. … ”

It’s been a tough “academic” year for all of us. Mom died the day before school started fer cripessakes. Thing 2 has some fantastical notion of wait-and-see after weeks of do-nothing-and-fake-it.

Thing 2 is barely surviving middle school. Middle school is … ugh, hard enough on its own, but then that little asshole on the bus couldn’t help himself. I said “asshole.” I think by the time you’re 15, if you’re still picking on unrelated people who are smaller than you, you’re an asshole. You’ve set your course. Then the parents of the asshole coming after my kids…? Lots of head shaking going on over here.

I have determined that I’m going to stop thinking about that bullying problem. In fact, I’ve determined it lots of times. Then a thought or a memory or a juxtaposition or a freakin’ voice wafts over my backyard’s fenceline crux and I’m sucked back into that ridiculous evening and subsequent days of their utter desperation. I got sucked in back now because of T2’s having to sit with the consequences of his inaction (which is also an action, by the way) and his less-than-stellar middle school accomplishments. I get it: middle school stinks.

So yeah — nine months. It feels about right. The weather here is as it should be now. The sun is shining in a bright blue cloudless sky and a breeze is rustling the oak leaves above me and blowing my stray hairs into my face. It’s cooler than expected, here at almost 11 am and it’s 67˚ outside. I’ll take it. The wind in the leaves sound like “ssssssssssSSSSSSsssssssssSsssssssssssSSssssSSSSSSSsss” but not threatening, like how a snake would hiss. It reminds me of wind blowing high grasses or wheat stalks. Very peaceful.

Murphy is laying by my feet and Charlie just hopped across the yard to say hello to the doggie who lives directly behind us.

I miss the idea of Mom. I miss the projections I wished upon her more than the reality of our relationship. I find myself romanticizing at times how things were; I find myself doing what she did a lot of the time: lying to myself about how things really were. It’s hard to admit that your relationship with the Most Important Person in your life was rife with conflict, pain, fear, complexes and mistrust. I need to remember the reality though: that things were challenged and challengING because it’s where I get my strength now.

No one is perfect. I am not a perfect mother. I am reactive and abrupt and cold at times. I am also tender and compassionate. I am defiantly sober and consciously honest and a fierce advocate for my children and their rights — even against one another. That’s my legacy, or part of it.

The other part of my legacy, as Mom intoned, is in “making things softer.”

I may not be perfect, but I have band-aids, and I have wreaths. And lemonade. I have lemonade too.

The finished product:

browns, greens, butter yellows and softer pinks. good to go for another six years, i'd say.

browns, greens, butter yellows and softer pinks. good to go for another six years, i’d say.

Thank you.

Guest Blogger: It’s a Dome Life – How to Paint “Prince Charming”

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Today I am honored to host the talented, lovely and modest Lillian Connelly, a New Mexico mother of one, a painter, survivor of McDonald’s playland and a member of tribe of people I refer to as “some of the nicest people I have never met.”

Lillian recently sold her first piece at an art show, so she’s gonna be famous, peeps! She also shows her works at her online studio gallery. Along with being a wonderful artist, she’s pretty good with the words too. You can see her blog site here at It’s A Dome Life. The long and short of this piece she painted for me is that I love roosters. But I want you to know she paints beautiful wildflowers in watercolors and southwest sunsets and landscapes mixing in media to bring depth and dimension to the works. Not having seeing anything yet in my hand, I feel like some of her work reminds me of more sophisticated Eric Carle (The Very Hungry Caterpillar). Enough of my blathering!

I’m gonna hand off to Lillian here…

Prince Charming And Old McDonald: The Painting of A Rooster

I’m like old McDonald over here. Seriously, between the chickens and the dogs and the cats and the people and the toddler singing, “e-i-e-i-oh,” we might as well go ahead and call this place a farm. Molly and I became friends one day through a mutual stalker convention on Facebook.

I stalked her fan page and then she stalked mine (or vice versa) and we’ve been laughing at (or with) each other ever since. She knows my life is crazy. She reads my blog. She’s seen the pictures. That’s why when she asked me to paint her a rooster I had a good, long laugh. Not so much at Molly wanting a rooster, but at the fact that my daughter has been practicing her rooster crow for days, weeks, and months (I can’t say years because she hasn’t really been alive that long yet) now.

I just knew painting a rooster was going to make my daughter crow even longer and louder morning, noon and night. I just knew I’d have to sing Old McDonald Had a Farm at least twenty times a day. I was right. I am sure Molly knew that too. I bet she is smirking the good smirk right now. You go ahead and smile, Molly. One day revenge will be mine. Well, not really, but I may record my daughter singing and force you to listen to it. I will think of something. Anyway, this is Molly’s rooster, finished:

Cock-a-Doodle-Doooo! this is the finished product. You can see that because it’s got the signature. Read more below to see how it started…

I really need to give him a name. Molly suggested a name that was “something-something gonads,” but I am thinking something more suitable for the ears of children might be a little more appropriate. I found some old sheet music in a piano book I have with a music selection called, “Prince Charming” and that seemed a much more appropriate name for this Mr. Rooster. So, I glued it to the back of the painting and now Molly can never, ever deny that she is in love with Mr. Rooster. He is her prince charming after all:

The sheet music is still a little wet in this picture, but after a few coats of gloss it will be shiny and old looking (mostly, because it is old looking). It’s from my grandmother’s music magazine “The ETUDE” and this piece of music was published in that magazine in 1907 (it’s over 100 years old). I am hoping Molly’s son will play it for her on his guitar or slide whistle. It will sound timeless either way.

So I promised Molly I would share the making of Molly’s “Prince Charming” with you, so here goes:

“Prince Charming” started off as an 11″×14″ hardboard panel. I used the back of a paint brush to scratch up the surface so the gesso and paint would stick to it better.

Then I applied a layer of gesso and a layer of white paint. The gesso is like a primer for the surface.

With a cock-a-doodle here and a … agh… forget it.
Once the panel dried I sketched the rooster’s head. I made him a little ornery looking because roosters are like that. Also, because that’s how I felt after singing, “And on this farm there was a roo-ster…” for what felt like the millionth time that day.

Then I started filling in the color and after a while I added gel medium to attach some paper to give a nice feathery look and add dimension. Because you know, this inanimate rooster might be stuck on hardboard, but he’s gotta strut his stuff no matter where he is.

I hope you enjoy your “Prince Charming,” Molly! I certainly enjoyed painting him.

How can I NOT enjoy that rooster?! He’s awesome! I am waiting on a Lillian Connelly original and I am very excited for him to get here. I know that once he does, these photos won’t do him justice. My downy feathers are all a’ruffle.

Thank you!

12:30pm – UPDATE 10/24/12: HE’S HERE! MY PRINCE CHARMING IS HERE! i LOOOOOOVE HIM!

i’ll never figure out this facetime / take a picture of yourself thing. but there he is! woohoo! (is that a vacuum behind me?)